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Review Praise for Black Leopard, Red Wolf: “Gripping, action-packed… The literary equivalent of a Marvel Comics universe — filled with dizzying, magpie references to old movies and recent TV, ancient myths and classic comic books, and fused into something new and startling by his gifts for language and sheer inventiveness.” – Michiko Kakutani, The New York Times“James’ visions don’t jettison you from reality so much as they trap you in his mad-genius, mercurial mind. . . . Drenched in African myth and folklore, and set in an astonishingly realized pre-colonized sub-Saharan region, Black Leopard crawls with creatures and erects kingdoms unlike any I’ve read. . . . This is a revolutionary book.” —Entertainment Weekly “Marlon James is one of those novelists who aren’t afraid to give a performance, to change the states of language from viscous to gushing to grand, to get all the way inside the people he’s created... [Black Leopard, Red Wolf] looks like another great, big tale of death, murder and mystery but more mystically fantastical... Not only does this book come with a hefty cast of characters (like Seven Killings), there are also shape shifters, fairies, trolls, and, apparently, a map. The map might be handy. But it might be the opposite of why you come to James—to get lost in him.” —The New York Times “Fantasy fiction gets a shot of adrenaline.” —Newsday “Stand aside, Beowulf. There’s a new epic hero slashing his way into our hearts, and we may never get all the blood off our hands. . . . James is clear-cutting space for a whole new kingdom. ‘Black Leopard, Red Wolf,’ the first spectacular volume of a planned trilogy, rises up from the mists of time, glistening like viscera. James has spun an African fantasy as vibrant, complex and haunting as any Western mythology, and nobody who survives reading this book will ever forget it. That thunder you hear is the jealous rage of Olympian gods. . . . ‘Ocean’s Eleven’ has got nothing on this ensemble.” —Washington Post “Black Leopard, Red Wolf is bawdy (OK, filthy), lyrical, poignant, violent (sometimes hyperviolent), riotous, funny (filthily hilarious), complex, mysterious, and always under tight and exquisite control…A world that is both fresh and beautifully realized….Absolutely brilliant.” —LA Times “James is a professed fantasy nerd, so Black Leopard, Red Wolf will certainly appeal to fans of all the well-acknowledged authors with at least two initials — George R.R. Martin, J.R.R. Tolkien, J.K. Rowling, etc. But if you’ve read James’ 2014 novel A Brief History of Seven Killings (decidedly not a sci-fi or fantasy book but a 700-page world-building epic about the attempted assassination of Bob Marley), you’ll drag yourself to the midnight queue to buy Black Leopard regardless of the whole ‘Game of Thrones’ selling point.” —Huffington Post “Black Leopard, Red Wolf is the kind of novel I never realized I was missing until I read it. A dangerous, hallucinatory, ancient Africa, which becomes a fantasy world as well-realized as anything Tolkien made, with language as powerful as Angela Carter's. It's as deep and crafty as Gene Wolfe, bloodier than Robert E. Howard, and all Marlon James. It's something very new that feels old, in the best way. I cannot wait for the next installment.” —Neil Gaiman “This book begins like a fever dream and merges into world upon world of deadly fairy tales rich with political magic. Black Leopard, Red Wolf is a fabulous cascade of storytelling. Sink right in. I guarantee you will be swept downstream.” —Louise Erdrich “The novel teems with nightmares: devils, witches, giants, shape-shifters, haunted woods, magic portals. It’s terrifying, sensual, hard to follow—but somehow indelible, too.” —Vogue “Black Leopard, Red Wolf aims to be an event, and to counter the dominant impression of the genre it inhabits. . . . Black Leopard delivers some genre-specific satisfactions: the fight scenes are choreographed with comic-book wit . . . But it deliberately upends others. When I first saw the news that James was writing a fantasy trilogy, I had assumed that, after reaching the pinnacle of critical acclaim, with the Booker, he was pivoting to the land of the straightforward best-seller. . . . Instead, he’d written not just an African fantasy novel but an African fantasy novel that is literary and labyrinthine to an almost combative degree.” —The New Yorker “He’s produced a sprawling fantasy novel set in a dark-age Africa of witches, spirits, dazzling imperial citadels and impenetrable forests. In a genre dominated by imagery derived from the European middle ages, Black Leopard, Red Wolf feels new and exciting.” —Wall Street Journal “A miracle... If Charles R. Saunders’ Imaro series opened the door to new ways of telling epic fantasy, and N.K. Jemisin’s Inheritance trilogy leapt over the threshold, then Marlon James’ Black Leopard, Red Wolf just ripped the whole damn door off its hinges.” —Tor “A sprawling, epic fantasy... Fuses mythology, fantasy, and African history into a sensual, psychological triumph.” —Esquire “Like the best fantasy, like the best literary fiction, like the best art period, Black Leopard, Red Wolf is uncanny.” —Boston Globe “Black Leopard, Red Wolf [will] surely redefine fantasy for many years to come.” —Houston Chronicle“A standard-bearer for future fantasies.” —Minneapolis Star Tribune “This is the kind of immersive fantasy saga that develops a devoted following, an impressive display of inspired storytelling that’s only just getting started.” — San Francisco Chronicle “Perhaps no other contemporary fiction writer takes such risks and uses such provocative, sensual descriptions as James (who masterfully mixes in smells and sounds as well as sights to build a world).” —Interview Magazine “What marks James’s tale as his own is the wonder evoked through descriptive, unrelenting prose along with a focus on a distinct mythology cobbled from history and folk tale. The propulsive narrative has already been optioned by Michael B Jordan, so expect to see this one coming to screens fairly soon.” —The Guardian “James' sensual, beautifully rendered prose and sweeping, precisely detailed narrative cast their own transfixing spell upon the reader. He not only brings a fresh multicultural perspective to a grand fantasy subgenre, but also broadens the genre's psychological and metaphysical possibilities. If this first volume is any indication, James' trilogy could become one of the most talked-about and influential adventure epics since George R.R. Martin's A Song of Ice and Fire was transformed into Game of Thrones.” —Kirkus Reviews (starred review) Read more About the Author Marlon James was born in Jamaica in 1970. His novel A Brief History of Seven Killings won the 2015 Man Booker Prize. It was also a finalist for the National Book Critics Circle Award and won the OCM Bocas Prize for Caribbean Literature for fiction, the Anisfield-Wolf Book Award for fiction, and the Minnesota Book Award. It was also a New York Times Notable Book. James is also the author of The Book of Night Women, which won the 2010 Dayton Literary Peace Prize and the Minnesota Book Award, and was a finalist for the 2010 National Book Critics Circle Award in fiction and an NAACP Image Award. His first novel, John Crow’s Devil, was a finalist for the Los Angeles Times Book Prize for first fiction and the Commonwealth Writers’ Prize, and was a New York Times Editors’ Choice. James divides his time between Minnesota and New York. Read more See all Editorial Reviews